If you saw Blade Runner this weekend, you probably left the theater with a few questions. Can replicants and humans really reproduce together? And is Harrison Ford a goddamn replicant or not? There are lots of fascinating debates to be had after the credits roll, and I hope Blade Runner fans are ready to start having them. His life—as a replicant created, specifically, to hunt and kill other replicants—is not deeply fulfilling.
Blade Runner 's Hologram Sex Scene Explained | Screen Rant
For 35 years, fans have endlessly discussed the finer points of Blade Runner. Is Deckard a Replicant? Which version is the best? And how creepy was that sex scene between Deckard and Rachael? It's aggressive, uncomfortable, and—by today's standards—likely to be labeled as something along the lines of "problematic. And in the style of the film, Blade Runner also provides a bizarre and fascinating sex scene that will be discussed by fans and critics for years to come.
Blade Runner 2049: How Denis Villenueve Created the Most Complicated Sex Scene of All Time
Perhaps one of the most original visual effects sequences in Blade Runner was the touching sex scene between K played by Ryan Gosling, and his personal cognitive agent Joi, played by Ana de Armas, while he is actually being physical with sex worker Mariette Mackenzie Davis. The audience need to understand that K was with Mariette, but seeing Joi, and the film-makers had already decided against making Joi appear as a classically depicted blue glowing hologram with interference lines. DNeg did over shots in total, in addition to the holograms, DNeg did environment work building out the LA. The character Joi is supposedly named after the urban slang porn acronym for J. Joi the character in the film is an A.
And other Replicants don't like Blade Runners because they are killing their own kind. In fact, it's a strange, profound relationship, but it's not complete. Joi Ana de Armas - his holographic AI girlfriend - enlists the help of pleasure Replicant Mariette Mackenzie Davis as a surrogate body, around which Joi wraps her image. Created without the use of green screen or motion capture, the set was instead rigged with 4 extra cameras, which were later used to interpret the room and the actors inside it as a 3D model. This was the key to keeping the intimacy of the scene.